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Staff/Lecturers
Ann d'Arcy Hughes
BIP Etching and Lino/Wood tutor.
Founder (2000) and co-director of Brighton Independent Printmaking.
Lecturer in Printmaking, University of Brighton.
Before joining the teaching staff at the University of Brighton,
Ann worked as an assistant in etching to Anthony Gross (4yrs) at
the Slade School, and then in Paris at Atelier 17 with S.W.Hayter.
Regional Organiser for the Open College of the Arts (10yrs), Course
Leader Printmaking Certificate (10 yrs). Ann has made a 70minute
video about art. She was joint 1st prize winner of the Fine Press
Book Association Award 2004.
Ann uses the language of art and imagery through printmaking to
express what cannot be relayed verbally. Her work depicts the human
passage through life, exploring differing levels of perception and
understanding, time and scale.
Gary Goodman
BIP Drypoint tutor
Gary paints images of acute directness, he places the figure at
the forefront of his work, and is untroubled by artistic self consciousness,
ego or politeness. He creates work of intense human understanding
that belongs to the lineage of artists that include Dubuffet, Van
Gogh, and Munch, with echoes of the profound spiritual knowing of
Knut Hamsun, Ingmar Bergman and Arvo Part.
Gary has exhibited all over the world, from Alaska to New Zealand.
He has undertaken many artist's residencies and workshops, and has
won several awards to travel.
Sue Haseltine
Sue's work is inspired mainly by the landscape of the Downs and
personal experiences. Her images are an interpretation of the landscape
in an abstracted form, particularly exploring linear forms and circles,
and strong colour. Sue works in three printmaking areas - Screenprint,
Etching and Lithography.
She helps out at BIP in the studio and is one
of the screen printing tutors. She also created the BIP website
and maintains this and the quarterly brochure.
www.suehaseltine.com
www.cinnamoncreative.co.uk
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Jane Sampson
BIP Screen printing and Collagraph tutor. Founder
(2000) and co-director of Brighton Independent Printmaking. Lecturer
in Printmaking, University of Brighton.
Jane is a master printmaker with more than 20 years experience in
her chosen metier, working both as a fine artist and commercial
printer. She prints all of her own work and has built a reputation
as an inspiring teacher and dedicated promoter of printmaking as
a graphic art form. This culminated in the setting up of BIP with
her friend and coconspirator, Ann d'Arcy Hughes in 2000.
www.janesampson.com
Carolyn Trant
BIP Paper Manipulation Tutor
I originally trained as a painter at the Slade, and then started
printmaking, especially woodcut, and for the last ten years I have
been making artist's books. My first books were large woodcuts on
Nepalese papers, using text by contemporary poets, hand-cut in wood.
Now I make 3D books in interlocking box-structures based on fairy
tales and have started writing my own text and designing less conventionally
shaped books.
I exhibit annually at the London and Oxford Artists Book Fairs,
and sell work to public and private collections in Europe and the
USA, including the British Library and the V&A Art Library.
Ian Brown
BIP Monoprint tutor
Principal lecturer at Hastings College for many years, specialising
in monoprinting and Screen Printing Ian is a master printer and
his popular monoprinting weekends and summer schools at BIP are
always fully booked.
Heike Roesel
Heike is one of BIPs Lithography tutors and assists with the general
management of the workshop.
She graduated with a BA (hons) from Brighton University in 1996
working in etching and large- scale lithography.
Heikes artistic work consists mainly of imaginary abstract multicoloured
etchings.
She re - joined the BIP team in 2005. Together with co-tutor Hebe
Veron-Morris Heike began in 2007 to open up the Lithography area
of the workshop for courses and open access.
www.heikeroesel.co.uk
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Helen Brown
BIP Lino and soft wood tutor.
Helen is a landscape artist, an experienced printmaking teacher
and outreach programme organiser.
Helen works extensively in relief printing, using soft wood and
lino. She specialises in chine colle, a technique of overlaying
colorful pieces of thin hand made paper onto the lino block as she
prints. The result is a series of wonderfully vibrant landscape
images.
Helen works directly from the landscape by cutting the relief blocks
on site. She then develops the images further in the studio, making
the addition of chine colle. Helen travels extensively to create
her work, and she has taught in schools and colleges in Britain
and India.
www.helensprints.co.uk
Les Ellis
BIP Letterpress tutor
Les was invited to run letterpress workshops at BIP following retirement
from the University of Brighton where he worked for 25 years mainly
with students in Graphic Design and Illustration. He worked for
several printing companies before a move into teaching, firstly
in Birmingham, and then in Brighton.
Hebe Vernon-Morris
Hebe is a fully qualified Sign Language interpreter and works with
Heike Roesel in the development of the Lithography area at BIP.
Originally trained as a metal worker and ceramicist she now works
predominantly in the printmaking medium, specialising in soft wood
cut and Lithography. Hebe teaches weekly and weekend Lithography
courses.
Other Visiting Lecturers
Eric Bates
Harvey Daniels
Eileen Graham
Sarah Young
Steering Group
Harvey Daniels
Andy Durr
Website
Sue Haseltine
Cinnamon
Creative
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